The Ella Update

Ella in Europe Cover

A reader of this space wrote to say that she was in the middle of “Ella in Europe,” my book about traveling abroad with my American dog. She was afraid to ask — but she wanted to know if Ella was still with us. She also suggested that I post an update every now and then for devoted readers and dog-lovers.

So here goes: Ella is still with us. She’s 11 now — she’ll be 12 in April. She sleeps more than ever, and she gets up slowly (unless there’s human food involved). She has some arthritis and a couple of small benign cysts on her back. Despite the usual indignities of being an old(er) dog, she seems quite healthy and happy. She’s still white as snow, still preternaturally expressive with her ears and tails and eyebrows, like Gromit, only with a mouth.

Ella enjoys harassing the . . . → Read More: The Ella Update

Poem: Doggerel

Puppy in Holiday Spirit

May your days be hairy, and bright.

And may all your puppy dogs be white.

I’m dreaming of a white puppy

Just like the ones I used to pet

Where the Labs are wagging

And the hounds are dragging

Their ears, blithely to the vet.

I’m dreaming of a white puppy

With every furry friend I see

May your dogs be givers of glee

And may all your puppy dogs lack fleas.

Putting Christ Back into Christmas

jesus

Despite what proponents of the so-called “prosperity gospel” preach; despite the tithing that power-hungry pastors collect from their entranced flock; despite the malicious claims allegedly found in the Bible that gays, Hindus, and connoisseurs of erotica are destined for eternal purgatory — despite all the hateful crap that religion teaches us – we believe there’s still love, joy, and peace to be found in Christ’s teachings.

The ancient philosopher-orator-charismatic is increasingly hard to recognize in the portrait painted by modern exponents of his legacy. But this weekend, when millions of people who identify with Jesus of Nazareth celebrate his birth — and, subordinately, the fleeting pleasures of consumerism — we all, Christian and non-, might do well to remember what all the fuss was about when this crazy Jewish guy started spouting inscrutable epigrams a couple thousand years ago.

Our collective capacity for compassion seems to diminish . . . → Read More: Putting Christ Back into Christmas

Poem: Cantankerous

Cantankerous Misanthrope

Would it be a sin to call him what he is? The misanthropy ooozes from his soul

Like churro grease from the pores on your nose after a day

Spent at the carnival, where

Nineteen bucks will get you a $1.49 plush toy and an affirmation of your manhood.

You can smell the bitterness, just as dogs can determine identity from a million shades of urine.

(Or as an oeneologist — or pretentious fool — can discern the difference

Between an ’82 and an ’83 Pomerol.)

You can see it, too. Mostly

In the downward scowl and narrowing eyes, which squint

Even when the sun fails to shine.

He is what you fear. Harmless, irrelevant, forgotten.

But in the now, while he’s still around to make an impact,

However feeble,

The meanness radiates in a penumbra of discontent,

Infecting no one, tainting all.

. . . → Read More: Poem: Cantankerous

The Beauty of Municipal Bonds

Pretty Muni Bond

Setting aside the fact that the Stock Market’s valuations often have no connection to anything resembling reality; and notwithstanding the fact that interest rates paid on cash deposits barely cover the cost of driving to the bank to make them; and forgetting for a moment that the southern Californian real estate market may or may not be one enormous bubble that may or may not be on the verge of popping — aside from all that, municipal bonds are a beautiful way to invest.

Their return on investment isn’t as high as riskier ventures, although the tax-free earnings they return make them progressively more valuable as one climbs the taxation brackets. They have almost no chance of becoming the next Google or Las Vegas. But they almost always return what they promise: a stodgy, fair premium on investment, and they’re largely immune to the vagaries of “trading,” . . . → Read More: The Beauty of Municipal Bonds

Poem: Cooper’s Hawk (with Apologies to Wordsworth)

Cooper's Hawk Surveying His Realm

Regal, as if touched by royalty, you light upon the wire,

Surveying the buffet of opportunity below, where we

Who cannot soar, cannot glide, forlornly aspire

To shed our earthly shackles and be free.

 

You cannot be called a kind and caring raptor,

A patient pedant, with heart o’erflowing with generosity.

Your icy mission is starkly clear: to be a heartless captor

That kills and disembowels without pause for ruminant philosophy.

 

Yet we who walk upon the land, prisoners of gravity

Observe your single-mindedness with grudging admiration.

We see not a murderer swimming in a sea of depravity

But a champion inspiring our solemn approbation.

A Tale of Two Singers: How Familiarity Breeds Contempt

Lance Armstrong's Ex, Sheryl Crow

Two professional singers live on my street. One is an emerging star named Mae who both critics and fans praise for her soulful and passionate vocals. The other is Sheryl Crow.

While there’s no accounting for taste — which is another way of excusing America for preferring Janet Jackson to Tierney Sutton — it must be said that when both the singers on my street are put on equal repertory footing, when they both sing what’s known as “jazz standards” from the Great American Songbook, Mae is clearly the superior vocalist. If you’ve seen the Cole Porter biopic “Delovely,” in which Ms. Crow had the misfortune of singing alongside people like Natalie Cole, you know what I mean. For further proof that Ms. Crow’s management team is more powerful than its client’s vocal chops, check out the Tony Bennett duet album, “Playing with My Friends,” in which Crow’s . . . → Read More: A Tale of Two Singers: How Familiarity Breeds Contempt

The Strange Case of Stanley Williams, Icon

Stanley Williams, incarcerated folk hero

The astonishingly strange saga of Stanley Williams, a murderer found guilty by four courts, reached the zenith of its narrative arc yesterday when the Los Angeles Times published a full-page advertisement (paid for by celebrity supporters, one assumes) in which the convict pledged his allegiance to God and asserted his dedication to “redemption.” He did not, however, acknowledge responsibility for personally ending the lives of four innocent people.

Williams, the founder of the Los Angeles street gang, the Crips, repudiated all allegiances to the hoodlums he mentored, if not invented. He did not, however, offer any apologies to the families whose lives he ruined with his brutal acts of violence.

Two sectors of society that would normally appear to be working at cross-purposes — famous hip-hop entertainers and the NAACP — have joined together in a crusade to garner clemency for Williams, whose execution date looms after . . . → Read More: The Strange Case of Stanley Williams, Icon

Poem: Quatrains

It's all about FOUR

According to the primers, resolute and stout

Three patterns are permissible when writing quatrains out.

ABAB, AABB, and AAAA

Are proper forms, no matter how passe.

 

The scanning lines, we’re told, should always add to four

Not two, not three, and certainly not more.

Transgressions bold, though heartfelt at the core

Will turn the reader sad and make the critic roar.

 

And so we write mere doggerel at best,

Attempting vainly to succor and appease

The wizened pedants who instruct and test,

Elevating acumen in varying degrees.

Poem: Go On

One Version of Dying Day

The night sky, tinged with neon blue around the edges.

The day sky, diffusing into whiteness past the clouds.

The farmers plot, unbound by hedges.

The sacred Mecca, bewitched by shrouds.

 

Infinity is what we make it, the way we gauge this endless space

Immune to ploys — one cannot fake it — suffused with grace.

Where it goes one cannot say.

The answer comes on dying day.