Category: Music

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New Music Menagerie

The Unabashedly Weird: Baritone saxophonist Josh Sinton’s “making bones, taking draughts, bearing unstable millstones pridefully, idiotically, prosaically.” Not your usual trio: drums, cello, and bass clarinet. And not your usual music. Boundary-less, tangential, sly, the music here invites you to find deep meaning in the improvised meanderings, or none at all. The Straight-ahead: Pianist Brad Whiteley’s...

The Fable of the One-Handed Pianist

Every person with an email inbox and an enthusiastic mother has seen the video by now. No doubt your mom sent it to you, subject line: This Is SOOOO Inspiring!!! Thanks to mothers like ours, it didn’t take long for the clip, a five-minute segment from “America’s Got Talent,” to go viral, amassing more than...

Colyn Cameron’s “Sad and Easy”

We’ve had “Sad and Easy,” the latest recording from Wake Owl frontman Colyn Cameron, on auto-play. Airy, soft, trippy, light, elegant, real — the music is simultaneously catchy, in the best tradition of pop songs, and ethereal, in the best tradition of anti-pop. Cameron has a singular voice, androgynous leaning toward feminine, that goes down,...

Mad Respect to Dave Chappelle

Last week we attended a concert at the Hollywood Bowl. Ms. Lauryn Hill was celebrating the 20-year anniversary of her seminal album “The Miseducation of Lauryn Hill,” and she had De La Soul opening, followed by her special guest Dave Chappelle. Before the event, we received several emails from the concert promoter reminding audience members...

Notes on Attending a Phish Concert for the First Time

Beautiful Weirdos. The ethos at a Phish concert is “come as you are.” Before the show, the parking lot of The Forum, in Inglewood, where the Lakers used to play, resembles the set of a Fellini movie grafted onto an ancient Grateful Dead memory. All clothing and barbering choices are acceptable. Smiling at strangers allowed. Dancing...

Vocal Music Delights

Two new vocal recordings — one from a likely source, the other not — remind us that genuine vocal artistry brings delight not quite like anything else. The human voice, malleable and expressive and colorful, vibrates with genuine (and profound) feeling on “Close Up,” by Sara Serpa, the celebrated singer, known for her angelic tone,...

Owen Broder’s “Heritage

The saxophonist and composer Owen Broder has assembled a band of beautiful musicians for his American Roots Project. On their new recording, “Heritage,” the ARP explores blues, bluegrass, folk, and church hymns, filtered through a light jazz scrim. It’s Appalachia meets Manhattan.  The results are lush, piquant  and altogether addictive. ARP’s music on “Heritage” feels comforting and familiar — and...

The Story of the Clitboys

We were teenagers. We lived in the northern suburbs of Milwaukee. We knew nothing. But we felt deeply about everything. We were angry, confused, disgusted, frightened, and yet somehow hopeful. We were also blissfully unaware that three kids from Wisconsin could make music that would continue to mean something to listeners more than three decades...

Scott Robinson’s “Heliosonic Toneways”

The new recording from ScienSonic Laboratories, “Heliosonic Toneways, Volume 1” is some of the trippiest music we’ve heard since, well, 1965, when Sun Ra released “Heliocentric Worlds,” featuring the much neglected bass marimba. Scott Robinson and ensemble insist they’ve not made a tribute record, and this is true as far as content goes. “HT” is surely it’s...

New Music Without Borders

Genres and categories are cool when you’re trying to sell something. But some of our most compelling musical artists don’t pay attention to the imperatives of the marketplace. They make what they make, and the grand bazaar of culture must sort out where to file the “product.” Ian Faquini (guitar) and Paula Santoro (voice), native Brazilians, explore the traditional...