Originally posted April 22nd, 2014
By Michael Konik
The descriptor “easy listening” connotes saccharine elevator music, and “goes down easy” suggests diluted medicine. The debut album from The North, a Brooklyn-based piano trio, is called “Slow Down, This Isn’t the Mainland,” and the entire recording is indeed easy like Sunday morning and smooth as a polished seashell. But there’s nothing insipid or cloying; the journey is an aural pleasure. Recorded in Hawaii, “Slow Down” is relaxed, gentle, charming, approachable, and utterly pleasurable. The band covers Chick Corea, Thelonious Monk and Bob Dylan beautifully. The bulk of the project, though, is devoted to lyrical originals, mostly by pianist Romain Collin. His virtuosity, like bassist Shawn Conley and drummer Abe Lagrimas, never calls attention to itself. The North is all about songs — melodies and grooves and especially dynamics. Imagine the Bad Plus blissed out and chilling on a beach. The result is one of . . . → Read More: The North
Originally posted April 15th, 2014
By Michael Konik
Network television viewers might be acquainted with Rob Gleeson as a charming second-banana in various national commercials. Aficionados of the Los Angeles improv-comedy scene know him as a charming leading-man in various stand-up and storytelling shows. Raised in suburban Milwaukee, Wisconsin, minutes from the Konik childhood homestead, Gleeson’s energy and visage are Midwestern unthreatening, which serves him well when shilling for corporations. But his astonishing improvisational chops are what’s got us excited. A recent epic appearance on “The Todd Glass Show” podcast with fellow comic Ian Karmel demonstrated that Gleeson has the ears and wit to create humor out of virtually nothing. You’ve seen him, whether you meant to or not. Now, listen and smile.
Originally posted April 1st, 2014
By Michael Konik
When a performance is difficult to explain yet utterly cogent to live audiences, something suspiciously like art is probably happening. In the case of composer Daniel Koren’s “The Most Important Thing,” a mélange of music, video, dance, and comedy, the results are wildly entertaining, formally provocative, and resolutely their own thing. That’s not easy in a culture built on reiteration. But the Israeli-born, Berklee-educated, Brooklyn-based Koren appears to have an essential quality intrinsic to liberated creators: fearlessness. Disembodied heads singing in harmony; tiny hands clapping and snapping; nonsense syllables conglomerated into a symphony — “The Most Important Thing” is subversive, surreal, and, if you’re hip, unmissable.
Generosity makes everyone involved feel good. Both the recipient and the giver derive pleasure from the act of sharing, albeit in different ways. (It’s better to give than to receive?) Generosity is one of the easiest ways to instantly manifest joy, to create what’s commonly understood as “good energy.”
In the spirit of light-hearted playfulness of April Fools Day, the Los Angeles Times tried to pull one over on their (dwindling) readership. But the cleverest among us realized their ruse, and instead of feeling perplexed and outraged we enjoyed a hearty chuckle. All in good fun!
Folks who begin sentences about themselves with the word “honestly” are subtly implying that there are times, perhaps many times – this particular time when they’re talking to you being an exception, of course – when they’re not honest. That’s why they’re prefacing their personal revelation with a qualifier, a…
The descriptor “easy listening” connotes saccharine elevator music, and “goes down easy” suggests diluted medicine. The debut album from The North, a Brooklyn-based piano trio, is called “Slow Down, This Isn’t the Mainland,” and the entire recording is indeed easy like Sunday morning and smooth as a polished seashell. But there’s nothing insipid or cloying; [...]