Tagged: JazzWeek

POEMJAZZ

Poet Robert Pinsky. Pianist Laurence Hobgood. Text, music, and the moment — what we hear on the new POEMJAZZ recording is two giant artists making something greater than the sum of its parts. While Pinsky recites his lovely words with his unlovely (but weirdly attractive) voice, Hobgood, the longtime arranger and accompanist for Kurt Elling,...

(K)Jazz is Dead

Since the 1970s, for as long as I’ve been aware of the music commonly known as “jazz,” various authorities, mavens, and aficionados have been declaring it dead or soon-to-be-deceased. “Jazz is dead.” “Jazz is dying.” “Jazz is going extinct.” If this is so, the suffering patient has been enduring a kind of decades-long hospice care...

Jazz is Dead

If, like me, you listen frequently to jazz radio, often you hear DJs and other concerned constituents urging folks to “keep jazz alive,” as though it were an invalid on life support. Falling sales, vanishing broadcast formats, venue closures — they all suggest that America’s greatest contribution to the planetary arts is indeed on the...

Astonishing Talent, Astonishing Anonymity

At the annual International Association of Jazz Educators conference, held this past weekend in New York City, one could wander through acres of hotel ballrooms filled with musicians of all ages, colors, and nationalities. And no matter what room one entered, even those chosen randomly or by mistake, one was confronted with so much talent,...

The Perspective of a Tiny Jazz Record Label

I run a tiny jazz record label called FreeHam Records, which recently released new albums by Zaxariades (“Mr. Z”) and Charmaine Clamor (“Searching for the Soul”). Hundreds of individuals like me dedicate much of their life (and most of their savings!) to jazz music, with no realistic expectation that it will ever earn a penny...