Tagged: modern music

New Music Menagerie

The Unabashedly Weird: Baritone saxophonist Josh Sinton’s “making bones, taking draughts, bearing unstable millstones pridefully, idiotically, prosaically.” Not your usual trio: drums, cello, and bass clarinet. And not your usual music. Boundary-less, tangential, sly, the music here invites you to find deep meaning in the improvised meanderings, or none at all. The Straight-ahead: Pianist Brad Whiteley’s...

Owen Broder’s “Heritage

The saxophonist and composer Owen Broder has assembled a band of beautiful musicians for his American Roots Project. On their new recording, “Heritage,” the ARP explores blues, bluegrass, folk, and church hymns, filtered through a light jazz scrim. It’s Appalachia meets Manhattan.  The results are lush, piquant  and altogether addictive. ARP’s music on “Heritage” feels comforting and familiar — and...

Scott Robinson’s “Heliosonic Toneways”

The new recording from ScienSonic Laboratories, “Heliosonic Toneways, Volume 1” is some of the trippiest music we’ve heard since, well, 1965, when Sun Ra released “Heliocentric Worlds,” featuring the much neglected bass marimba. Scott Robinson and ensemble insist they’ve not made a tribute record, and this is true as far as content goes. “HT” is surely it’s...

Oddsong: “Jailhouse Doc with Holes in Her Socks”

Esteemed jazz composer Darrell Katz has a new ensemble called “Oddsong,” which is how many first-time listeners might describe every track on “Jailhouse Doc with Holes in Her Socks.” No drums. No bass. No piano. Instead, a chamber music melange of strings, saxophones, marimba and voice (the elegant Rebecca Shrimpton). Most of the arrangements are...

Honor Thy Fathers

The pianist Laurence Hobgood, celebrated for decades as one of the world’s finest accompanist of singers, currently is stepping out into the light, leading his own trio. Of superstars. On drums, Kendrick Scott. On bass, John Pattitucci. Their album, “Honor Thy Fathers,” dedicated to the musical titans who inspired Hobgood’s virtuosity, contains several cover songs,...

Katie Bull

On her fifth album, “All Hot Bodies Radiate,” Katie Bull continues to redefine the concept of “jazz vocalist.” She’s no chick singer. Bull’s instrument, her voice, isn’t extraordinarily powerful, plangent or peculiar, and she doesn’t project conservatory-trained technique and tuning. Yet her work mesmerizes and invites repeated listening. That’s because Bull is a singing poet, a writer...

KAZE: Uminari

The new recording from KAZE, a Japanese-French quartet — drums, piano, two trumpets — reminds us that all music is noise. Some noise, it seems, sounds better than others. On Uminari (a low frequency hum rising from the sea), the usual hallmarks of through-composed music (meter, melody, harmony) aren’t exactly absent, they’re just not terribly important....