Tagged: new music

Vocal Jazz, Old and New

The ethereal jazz singer Jeanne Lee would have been 80 this year. A re-release of her duet album with New England Conservatory titan Ran Blake, “The Newest Sound You Never Heard,” more than 40 years after its 1966-7 recording, reveals a thoroughly modern singer unafraid to sound like no one but herself. This vocal individuality...

Colyn Cameron’s “Sad and Easy”

We’ve had “Sad and Easy,” the latest recording from Wake Owl frontman Colyn Cameron, on auto-play. Airy, soft, trippy, light, elegant, real — the music is simultaneously catchy, in the best tradition of pop songs, and ethereal, in the best tradition of anti-pop. Cameron has a singular voice, androgynous leaning toward feminine, that goes down,...

Vocal Music Delights

Two new vocal recordings — one from a likely source, the other not — remind us that genuine vocal artistry brings delight not quite like anything else. The human voice, malleable and expressive and colorful, vibrates with genuine (and profound) feeling on “Close Up,” by Sara Serpa, the celebrated singer, known for her angelic tone,...

Wake Owl

“The Private World of Paradise,” the latest from Wake Owl, is a trip. It’s trippy. It’s hippy. It’s hip. It’s the 1960’s. It’s now. Those who enjoyed Wake Owl’s debut EP “Wild Countrry” will find “Paradise” a sonic departure from indie-pop-folk. More like…hard to say. (And that’s good.) But the tunes are still subversively catchy,...

Hypercolor

If, like us, you’ve wondered what would happen if a punk band (or at least one with a punky aesthetic of reject-the-rules) had conservatory training and could apply virtuoso technique and advanced understanding of musical structure to their rockin’, kickin’, slammin’ music — the answer has arrived. Hypercolor, the self-titled debut recording of guitarist Eyal Maoz,...

Slow/Fast’s “Settle”

Reedman, composer, Bang-on-a-Can-All-Star and Gutbucket alum Ken Thomson leads his Slow/Fast Quintet — Russ Johnson, trumpet; Nir Felder, guitar; Adam Armstrong, bass; Fred Kennedy, drums — through a universe of musical possibilities on the group’s September, 2014 release “Settle.” Everyone here is a virtuoso, which helps with music as technically demanding and intricate as Thomson’s, but that’s...

Tom Chang’s “Tongue & Groove”

Guitarist Tom Chang’s debut recording,Tongue & Groove,is an arresting, curry-flavored gumbo of jazz, contemporary classical, and South Indian Carnatic music. What this mélange sounds like is newness personified, a foreshadowing of the globalization of musical cultures. The sonic unfamiliarity doesn’t jar; it seduces. The title track opens with a 30-second vocal percussion solo that would make Bobby...

The North

The descriptor “easy listening” connotes saccharine elevator music, and “goes down easy” suggests diluted medicine. The debut album from The North, a Brooklyn-based piano trio, is called “Slow Down, This Isn’t the Mainland,” and the entire recording is indeed easy like Sunday morning and smooth as a polished seashell. But there’s nothing insipid or cloying;...