Tagged: don heckman

Tierney Sutton’s “After Blue”

When one of the world’s greatest jazz singers, Tierney Sutton, interprets one of the world’s greatest songwriters, Joni Mitchell, the result, in the case of Sutton’s new “After Blue,” is a startlingly sublime work of art. Recording for the first time in a decade without her Tierney Sutton Band mates Christian Jacob and Ray Brinker...

The International Review of Music

Everyone’s got an opinion; some are worth noting carefully. At IRoM, “The International Review of Music,” folks who think and feel deeply about music share essays, reviews and recommendations. Curated by the long-time jazz critic of the Los Angeles Times, Don Heckman, IRoM is reliably smart, impassioned and provocative. Read on!  

Jazz Competitions, In and Out of the Marketplace

One of the 20th Century’s greatest artists, a cat named Thelonious Monk, the pianist and composer of countless jazz standards, including “Round Midnight” and “Well, You Needn’t,” left behind, among other things, a brilliant son (the drummer, T.S. Monk), a lucrative publishing catalogue, and a legacy of musical encouragement. The Thelonious Monk Institute of Jazz...

Great Writing

Relatives sometimes discover a book that brings them so much enjoyment that they want to share the experience with everyone they meet. That’s cool. Unfortunately for me, most of the books they like, despite glowing accolades from literary critics such as Oprah Winfrey’s intern and the editors at Vogue, are painfully difficult to read, since I...

Tigran

For the past couple of years, musician friends of mine have been telling me about an Armenian pianist who they believe is, variously, “a freak,” “a genius,” and “the next Keith Jarrett.” Since almost nobody but the disgraced Cultural Elite know who Jarrett is, despite his nearly mythic status among jazzheads, being the next him...

The Alleged L.A. Jazz Community

Those of us who live in Los Angeles and appreciate jazz music like to think of ourselves as part of an eclectic and passionate family, an intimate clan united in our love for America’s greatest contribution to global arts. We’re part of something we call the Los Angeles Jazz Community.  The evidence, though, suggests there’s...

In Praise of Rhiannon

Living in a culture where the surest way for a woman to achieve notoriety and celebrity is to inexpertly perform fellatio on a homemade sex tape, disingenuously decry its orchestrated release on the Internet, and then snag a “reality show” that broadcasts her inane yammering in excruciating detail, one desperately needs occasional doses of pure...

Astonishing Talent, Astonishing Anonymity

At the annual International Association of Jazz Educators conference, held this past weekend in New York City, one could wander through acres of hotel ballrooms filled with musicians of all ages, colors, and nationalities. And no matter what room one entered, even those chosen randomly or by mistake, one was confronted with so much talent,...

Vocalizing Versus Singing

Beautiful vocalizing is often mistaken for beautiful singing. Both sonic phenomena require the production of a ringing tone that exploits the peculiar vibration of the ligaments and muscles — the cords — at the back of the human mouth. Both require an acute sensitivity to intonation (being “in tune”). And both demand a steady flow...

The Perspective of a Tiny Jazz Record Label

I run a tiny jazz record label called FreeHam Records, which recently released new albums by Zaxariades (“Mr. Z”) and Charmaine Clamor (“Searching for the Soul”). Hundreds of individuals like me dedicate much of their life (and most of their savings!) to jazz music, with no realistic expectation that it will ever earn a penny...