The Unabashedly Weird: Baritone saxophonist Josh Sinton’s “making bones, taking draughts, bearing unstable millstones pridefully, idiotically, prosaically.” Not your usual trio: drums, cello, and bass clarinet. And not your usual music. Boundary-less, tangential, sly, the music here invites you to find deep meaning in the improvised meanderings, or none at all. The Straight-ahead: Pianist Brad Whiteley’s...
The saxophonist and composer Owen Broder has assembled a band of beautiful musicians for his American Roots Project. On their new recording, “Heritage,” the ARP explores blues, bluegrass, folk, and church hymns, filtered through a light jazz scrim. It’s Appalachia meets Manhattan. The results are lush, piquant and altogether addictive. ARP’s music on “Heritage” feels comforting and familiar — and...
Mostly Other People Do the Killing’s latest iteration, a quartet, is led by bassist Mopppa Elliott, whose modern bop compositions are featured on the band’s new album, “Mauch Chunk,” a rollicking, raucous dash through jazz history that’s firmly in the right now. MOPDTK’s sax man is Jon Irabagon, one the most exciting players in the world....
Hope RekindledThis past week has given us more hope for our diseased republic than any other time in 50+ years of paying attention. Observing and participating in a long-overdue peaceful uprising, occupying the streets, feeling the righteous energy of people of all ages, colors, faiths, and wealth (or lack thereof), has…
“Our Highway,” the new multi-media project from the jazz quintet (trio + two reedmen) Cowboys & Frenchmen is a monument to the boundless power of creativity. Rather than merely record an album of their brilliant modern music, the group has made a film — a purposefully trippy film, befitting the notion of travel and motion...
