Tagged: new music

Craig Taborn’s “60 x Sixty”

The prolific pianist-keyboardist-musician Craig Taborn has bequeathed to the world a fascinating (and addictive) conceptual recording called “60 x Sixty.” (It’s technically a Pyroclastic Records release, but free to experience and enjoy.) Comprised of sixty compositions, each one minute in duration, the suite of sounds rotates and shuffles with each play, updating periodically with new...

Dan Blake’s “Da Fe”

Does righteousness have a sound? Can good intentions be heard in the language of music? Saxophonist/composer Dan Blake’s new recording, Da Fe, attempts an aural answer to those questions, and the results are convincing. A Buddhist, social justice warrior, and former member of the Esperanza Spalding band, Blake’s values are deeply humanist and compassionate; on the...

Two Approaches to Jazz Drumming

For two consecutive weeks, we’ve been treated to compulsively listenable new albums by two excellent jazz drummers, Raphael Pannier (“Faune”) and Matt Wilson (“Hug!”). In many ways, the recordings couldn’t be more different. Pannier is a next generation virtuoso surrounded by other jazz killers — Miguel Zenon, Francois Moutin, Aaron Goldberg — whose spectacular modernist...

Vocal Jazz, Old and New

The ethereal jazz singer Jeanne Lee would have been 80 this year. A re-release of her duet album with New England Conservatory titan Ran Blake, “The Newest Sound You Never Heard,” more than 40 years after its 1966-7 recording, reveals a thoroughly modern singer unafraid to sound like no one but herself. This vocal individuality...

Colyn Cameron’s “Sad and Easy”

We’ve had “Sad and Easy,” the latest recording from Wake Owl frontman Colyn Cameron, on auto-play. Airy, soft, trippy, light, elegant, real — the music is simultaneously catchy, in the best tradition of pop songs, and ethereal, in the best tradition of anti-pop. Cameron has a singular voice, androgynous leaning toward feminine, that goes down,...

Vocal Music Delights

Two new vocal recordings — one from a likely source, the other not — remind us that genuine vocal artistry brings delight not quite like anything else. The human voice, malleable and expressive and colorful, vibrates with genuine (and profound) feeling on “Close Up,” by Sara Serpa, the celebrated singer, known for her angelic tone,...

Wake Owl

“The Private World of Paradise,” the latest from Wake Owl, is a trip. It’s trippy. It’s hippy. It’s hip. It’s the 1960’s. It’s now. Those who enjoyed Wake Owl’s debut EP “Wild Countrry” will find “Paradise” a sonic departure from indie-pop-folk. More like…hard to say. (And that’s good.) But the tunes are still subversively catchy,...

Hypercolor

If, like us, you’ve wondered what would happen if a punk band (or at least one with a punky aesthetic of reject-the-rules) had conservatory training and could apply virtuoso technique and advanced understanding of musical structure to their rockin’, kickin’, slammin’ music — the answer has arrived. Hypercolor, the self-titled debut recording of guitarist Eyal Maoz,...

Slow/Fast’s “Settle”

Reedman, composer, Bang-on-a-Can-All-Star and Gutbucket alum Ken Thomson leads his Slow/Fast Quintet — Russ Johnson, trumpet; Nir Felder, guitar; Adam Armstrong, bass; Fred Kennedy, drums — through a universe of musical possibilities on the group’s September, 2014 release “Settle.” Everyone here is a virtuoso, which helps with music as technically demanding and intricate as Thomson’s, but that’s...

Tom Chang’s “Tongue & Groove”

Guitarist Tom Chang’s debut recording,Tongue & Groove,is an arresting, curry-flavored gumbo of jazz, contemporary classical, and South Indian Carnatic music. What this mélange sounds like is newness personified, a foreshadowing of the globalization of musical cultures. The sonic unfamiliarity doesn’t jar; it seduces. The title track opens with a 30-second vocal percussion solo that would make Bobby...